Longtime readers of this site know that I am no stranger to in-depth reviews of
dubious movie tie-ins and
absurd horror novelizations. Today, I am proud to present my heavily-footnoted critique of the seminal work FREDDY VS. JASON: THE NOVELIZATION OF THE SCREENPLAY in an essay I call "
The
Free Thinker and the Automaton: Polarity and Duality in Stephen Hand's
Freddy Vs. Jason: The Novelization of the Screenplay by Damian Shannon
and Mark J. Swift." It's appearing online in
Barrelhouse Magazine (a publication I have long admired for its commitment to high-brow aesthetics and pop culture detritus) as a part of their "Barrelhouse of Horrors" series, and I recommend checking out the other entries as well.
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