Only now does it occur to me... that Thomas Ian Griffith––performer of THE KARATE KID III's notorious, coke-addled villain Terry Silver––is... an auteur!
Yes, as they say in the action biz, he "pulled a Stallone"––he wrote, produced, and starred in this fine film, called EXCESSIVE FORCE.
Though it wasn't the starmaker that New Line had hoped, I think he deserved this as much as Steven Seagal or Chuck Norris, whose respective films HARD TO KILL (1990) and THE HITMAN (1991) are tonally similar to EXCESSIVE FORCE, feature a similar amount of mullets, and are really no better or worse.
TIG is certainly a better actor, blow by blow, than Seagal or Norris
Also, this movie really capitalizes on Thomas Ian Griffith's piano playing––as COBRA KAI would also, decades later––and while he's playing a tough cop whose real passion is being a jazz musician, it's hard not to think about John Woo's HARD BOILED and its resident, clarinet-blasting Inspector Tequila.
TIG wielding Woo-style double-pistol action, as well
And with its Chicago-set, "mobsters and corrupt cops vs. one last virtuous hero-cop" plotline, it's hard not to see this as a pure mashup of HARD BOILED and THE UNTOUCHABLES. I wonder if TIG was up for the Billy Drago role in that?
The "Capone" here is ROCKY's Burt Young
Speaking of which, there are a shocking amount of top-shelf character actors rounding out this film.
James Earl Jones (R.I.P.) continues his '80s run of non-prestige action flicks, continuing in the vein of ALLAN QUATERMAIN AND THE LOST CITY OF GOLD and BEST OF THE BEST. Here, he plays a pathos-exuding friend of Thomas Ian Griffith, who also plays a mean jazz saxophone.
We have the incomparable Lance Henriksen as TIG's creepy, cigar-chomping boss,
Tony Todd as a (possibly) nefarious fellow cop,
and TIG's leg extension is basically a supporting character, in and of itself.
KARATE KID references abound. TIG's character name is "Terry," just as it is in THE KARATE KID PART III. He also sings "Danny Boy" in one of his first scenes; it's no coincidence that "Danny Boy" was one of the insults he flung at Daniel LaRusso in KK3.
Along the way, there are a lot of high-kicks, explosive squibs, jazz riffs, moody lighting choices, asymmetrical earrings, B-roll shots of the Chicago River, and the whole thing ends with a kitten exchange in a hospital.
TIG and JEJ both love kittens, what can I say
In the end, I am left with a strong desire to see NIGHT OF THE WARRIOR (1991), a film also written by Thomas Ian Griffith and starring... Lorenzo Lamas.
4 comments:
I remember thinking that this movie really moved. It felt like the millisecond a scene was over we're onto the next in a flash!
This film was just a little behind the times. It's essentially a mid-80s action film released in 1993. Not bad at all. Seems to have something of a cult following. And I remember James Earl Jones praising Griffith as a "damn fine writer. What I normally would have thought was gratuitous violence didn't seem so. It's just part of a very tough story." (This quote may not be completely accurate, but it's close.)
Anon.1,
Indeed you're right, it moves like a freight train, and, as a connoisseur of B-action movies that often have pacing issues, I appreciated it
Anon.2,
Agreed––I'd place it above probably 80% of comparable Chuck Norris flicks, 70% of Steven Seagals, maybe 90% of Dudikoffs?
(This is Anon 1 (hey at least it's not Q))
I appreciate the pacing as well. Nothing worse than when an action flick spins it's wheels. It doesn't have the flat out bonkers quality of Revenge of The Ninja, Commando or Death Wish 3 but like those it doesn't waste your time.
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