First, we learn that his favorite beverage is the "Tequila Slam," which is apparently a real thing. That would be "well tequila" (the kind that only occasionally comes in a glass bottle),
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and seltzer water
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covered with a paper napkin and slammed against the bar––a maneuver that is perhaps intended to showcase the performative "badass fizz" aspect but as a result spills nearly half the drink; it is satisfying perhaps to Inspector Tequila in the moment, but something of an inconvenience for a neat-freak bartender.
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Amazingly, this is a fitting analogy for Inspector Tequila's fearlessly stylish-yet-sloppy methods of policework. (Though it is less elegant than the "Travis Bickle calmly stares at his own alka-seltzer while quietly boiling on the inside" scene in TAXI DRIVER, this is from the director who first brought us JCVD punching a snake, so let's cut him some slack.)
Anyway, Inspector Tequila knocks back the drink,
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where he proceeds to play a mean jazz clarinet. John Woo seems to say, "Inspector Tequila is a rough-and-tumble individual, but he has a soft side––as velvety smooth as a clarinet playing 'Sweet Georgia Brown' at an Elks Lodge in Missoula, Montana for a crowd of slow-dancing geriatrics."
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Let's move ahead three minutes in time. See those two guys, Inspector Tequila?
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The ones with the bird cages?
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If you, as an audience member, at first glance, don't make the assessment that yes, those bird cages are probably filled with guns, then you, my friend, are watching the wrong movie.
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Inspector Tequila is an astute observer of the human animal, unlike yourself.
All of this is essentially a set-up for over two hours of two-fisted acrobatic gunplay and incredible non-union stuntwork,
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all in Woo's distinctive "Peckinpah-meets-Shaw-Brothers-meets-screwy-Jean-Pierre-Melville" style, which went on to birth THE MATRIX, Robert Rodriguez, and any number of contemporary action films and directors.
2 comments:
Hands down, a masterpiece and maybe the greatest action movie ever made... well, maybe after DIE HARD.
I just LOVE this film for all the reasons you stated. Plus, you've got Wong Kar-Wai regular Tony Leung as Chow Yun-Fat's conflicted cop/brother-in-mayhem. What's not to love?
J.D.,
In terms of pure, unadulterated action, this is definitely up there with DIE HARD, RUMBLE IN THE BRONX, and COMMANDO for me. Glad to hear you're a fan, and indeed Tony Leung is great in this, too (and in WKW's output).
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