Showing posts with label Chucky Series. Show all posts
Showing posts with label Chucky Series. Show all posts

Monday, November 9, 2015

Only now does it occur to me... CHILD'S PLAY 3 (1991)

Only now does it occur to me... that just when I thought I couldn't talk about HALLOWEEN III: SEASON OF THE WITCH any more than I already do, it rears its beautiful head once more and they reference it in CHILD'S PLAY 3!

CHILD'S PLAY 3 flashes forward eight years past the second installment, with series hero Andy Barclay now a teenaged cadet at a military academy––but, naturally, Chucky the Good Guy Doll is not too far behind.  Anyway, one of the senior officers at the military academy is named "Colonel Cochrane,"


which is a clear nod to HALLOWEEN 3, where Dan O'Herlihy's evil Irish mask factory owner is called "Conal Cochran."  You can imagine my delight at this relatively obscure reference.  I'm starting to think that HALLOWEEN 3 really is a cultural touchstone.

On the whole, CHILD'S PLAY 3 is definitely one of the weaker entries in the franchise, though I have to applaud the continuity and the attention to detail (creator Don Mancini has written every script in the series). For example, a minor toy company exec from part 2 (Peter Haskell) returns in part 3 to meet a gruesome fate,

Dourif gets a "human" cameo during a slideshow briefing,

and we even see what happened to the Good Guy factory after the showdown at the end of part 2.

Elsewhere, Andy Robinson (of DIRTY HARRY, CHARLEY VARRICK, and HELLRAISER fame) has a nice, fun bit as a sadistic military barber,

and the martial setting lends itself to parodies of FULL METAL JACKET, RAMBO, and the like.

And Brad Dourif, as usual, just kills it:



2015 HALLOWEEN COUNTDOWN OVERFLOW

Friday, October 23, 2015

Film Review: CHILD'S PLAY 2 (1990, John Lafia)

Stars: 4 of 5.
Running Time: 84 minutes.
Tag-line: "Look out Jack! Chucky's back!"
Notable Cast or Crew:  Brad Dourif (ONE FLEW OVER THE CUCKOO'S NEST, DEADWOOD, BLUE VELVET), Jenny Agutter (WALKABOUT, LOGAN'S RUN, EQUUS), Gerrit Graham (PHANTOM OF THE PARADISE, USED CARS), Grace Zabriskie (TWIN PEAKS, WILD AT HEART, DROP ZONE), CHRISTINE ELISE (ER, BEVERLY HILLS 90210), Alex Vincent (CHILD'S PLAY, CURSE OF CHUCKY), Beth Grant (NO COUNTRY FOR OLD MEN, SAFE, THE WIZARD).  Written by Don Mancini (writer of all 7 CHUCKY movies).  Music by Graeme Ravell (FROM DUSK TILL DAWN, BOXING HELENA, PSYCHO IV: THE BEGINNING).
Best One-liner: "Okay, sport. We're gonna have a little game of 'Chucky Says.' Chucky says move your ass!"

As I said in my review of CHILD'S PLAY 1:  Maybe you have an affinity for killer dolls. Maybe you're a die-hard Dourif fan. Maybe you're a devotee of Chucky's complex, Miltonian love affair with the word "bitch," a relationship that is only rivaled by Fred Krueger's. Hell, maybe you thought you were seeing the film adaptation of Robert Marasco's Tony-winning CHILD'S PLAY.

Nevertheless, you're here––so prepare yourself for a journey in murderous My Buddies, Voodoo enthusiasts, and the foster care system––it's a list of my eight favorite things about CHILD'S PLAY 2!

#1. The opening sequence.  With shrieking strings from composer Graeme Ravell (who later in the same year scored PSYCHO IV: THE BEGINNING) and vivid, VERTIGO-spiraling imagery, it feels like the opening credits to an Alfred Hitchcock... 80s slasher!

I also must give a shout-out to how much the "burned Chucky" from the finale of Part 1
 resembles a Lucio Fulci zombie.



#2. For a brief moment, CHILD'S PLAY 2 turns into a walk n' talk, "corridors of power" drama set at a Good Guy factory, in the vein of Aaron Sorkin.

Sure, it only lasts about two minutes, but it's a nice change of pace, and you appreciate that the film is not simply content to ape the first installment.


#3. Franken-Chucky. As in the first film, we have an "it's alive!" moment, and it does not disappoint.

In this instance, "does not disappoint" translates to there being plenty of 80s lightning on hand.  I approve.


#4. Brad Dourif. Unlike in the first film, the Dourif we have here is entirely voiceover.  We can live with this, because Dourif is brilliant, no matter the context.
He has portrayed Chucky in seven feature films, an episode of SATURDAY NIGHT LIVE, a horror movie awards show from 1990, and a surreal big-time wrestling crossover that defies human comprehension.  
 
Every time, no matter the venue, the Oscar-nominated Dourif gives it his all.  He has perfected the evil cackle, the gleeful screeches, the poetic utterances of "bitch" and "don't fuck with the Chuck."
Chucky has altered his persona somewhat; it seems he's no longer simply a serial killer trapped in a doll's body, he is an anarchic force of uninhibited childish rage, whether seeking revenge on a Kindergarten teacher he's never met (for no conceivable reason),
or beating the tar out of his doll counterpart

and burying him in the backyard with an exuberance that borders on profound ecstasy.
There's a reason the man has worked four times with Werner Herzog!


#5. Grace Zabriskie!  One of my all-time favorite character actresses (TWIN PEAKS, BODY ROCK, WILD AT HEART, MY SON MY SON WHAT HAVE YE DONE), Ms. Zabriskie plays a social worker, and therefore has a number of opportunities to exude loving pathos––as well as mind-numbing fear at the sight of an animate, killer doll.
She has a memorable run-in with a photocopier, and that's all I'll say about that.


#6. Continuity.  In rare form for a horror sequel, they actually bring back the same child actor (Alex Vincent) to play "Andy," Chucky's nemesis.
 
Most of this continuity arises from the fact that original writer Don Mancini penned the screenplays to all six (and counting) CHILD'S PLAY films.  That's unheard of in a horror franchise, and I can't think of any other series (beyond, say, Coscarelli's PHANTASMs) that is guided by the same voice throughout.


#7.  Jenny Agutter and Gerrit Graham.
 
As Andy's new foster parents, these two are (unnecessarily?) top notch.  Jenny Agutter (WALKABOUT, EQUUS) brings a lot of poignancy to the role, and Gerrit Graham ("Beef" from PHANTOM OF THE PARADISE) brings some reserved silliness. 


#8.  The wonderfully insane final setpiece, which takes place in a candy-colored Good Guy doll factory.  It feels like a gaudy, German Expressionist nightmare brought to life by Joe Dante in his prime: 
One section of it feels like THE SHINING, as our heroes flee through a "hedge" maze made of Good Guy boxes,
 
and another section feels like THE TERMINATOR, with a maimed but persistent Chucky limping along, and he just won't die, he just won't die, and WHY WON'T HE DIEEEE! 
Well done!  Four stars.


–Sean Gill


2015 HALLOWEEN COUNTDOWN

Thursday, October 6, 2011

Film Review: CHILD'S PLAY (1988, Tom Holland)

Stars: 4 of 5.
Running Time: 87 minutes.
Notable Cast or Crew: Brad Dourif (ONE FLEW OVER THE CUCKOO'S NEST, WISE BLOOD, DEADWOOD, SPONTANEOUS COMBUSTION), Chris Sarandon (FRIGHT NIGHT, THE RESURRECTED, DOG DAY AFTERNOON), Catherine Hicks (STAR TREK IV, PEGGY SUE GOT MARRIED), Alex Vincent (CHILD'S PLAY II, MY FAMILY TREASURE). Music by Joe Renzetti (THE BUDDY HOLLY STORY, DEAD & BURIED). Written by Don Mancini (CELLAR DWELLER, all the CHUCKY movies). Cinematography by Bill Butler (JAWS, GREASE, ROCKY III). Chucky designed by Kevin Yagher (TALES FROM THE CRYPT, NIGHTMARE ON ELM STREET 2-4, FACE/OFF). Directed by Tom Holland (FRIGHT NIGHT, FATAL BEAUTY, THINNER, writer of CLASS OF 1984, PSYCHO II, and CLOAK & DAGGER).
Tag-line: "Andy Barclay has a new playmate who's in no mood to play."
Best one-liner: "BATTER UP!" [Brad Dourif cackles]

Maybe you have an affinity for killer dolls. Maybe you're a die-hard Dourif fan. Maybe you're a devotee of Chucky's complex, Miltonian love affair with the word "bitch," a relationship that is only rivaled by Fred Krueger's. Hell, maybe you thought you were seeing the film adaptation of Robert Marasco's Tony-winning CHILD'S PLAY. Nevertheless, you're here- so prepare yourself for a journey in murderous My Buddies and Reaganist ultra-consumerism– it's my top nine things about CHILD'S PLAY!

#1. The movie is sort of like an alternate ending to FATAL BEAUTY. For those not in the know, FATAL BEAUTY is one of the most incredible wisecrackin' cop movies that the 80's had to offer. Also directed by Tom Holland, also starring Brad Dourif as a murderous villain, and also featuring a Dourif vs. good guys showdown in a store. Only this time it's a toy store, and it's not the finale– it's the opening scene!

Do the "Barbie Rockers" in the background make Dourif's death scene more of less powerful? I don't know if I'm qualified to answer that.

Check it out: Dizzy Dizzy Dinosaurs, Mouse Trap, and Fireball Island. The goddamned trifecta of board games that took three hours to set up and were sprinkled with malfunctioning AA battery receptacles and malformed, ill-fitting plastic parts. That doesn't sit so well with Dourif, so he:

And yeah, that's a Little Tykes car... ON FIRE.

#2. The "Good Guys" commercial that's 700 times scarier than the actual Chucky.

What if Dourif just donned that grotesque, adult-sized Good Guy costume and began terrorizing everyone? I'd watch that movie, too.

#3. Schweet puppetry and animatronics.

A blend of puppetry, performers in costume, and animatronics, Chucky himself is certainly an achievement in practical special effects. Co-writer of SLEEPY HOLLOW and known for the Cryptkeeper, some Freddy Krueger sequels, and various other horror and sci-fi projects, Kevin Yagher led the Chucky design team, though it featured contributions from Howard Berger (CREEPSHOW 2, HOUSE III, IN THE MOUTH OF MADNESS), Carl Sorensen (TREMORS), Christoper Swift (TERMINATOR 2, JURASSIC PARK), Mark C. Yagher (FACE/OFF, STARSHIP TROOPERS), Rick Lalonde (DARKMAN, MISERY), Ron Pipes (DR. GIGGLES, SIN CITY), Zandra Platzek (GREMLINS 2: THE NEW BATCH, MASTERS OF THE UNIVERSE), and James Kagel (THE THING, DEAD & BURIED, THE ABYSS). The result is alternatingly stilted and fluid (whenever called for by the script) and simultaneously uncanny and hilarious. Bravo!

#4. YOU STUPID BITCH I TEACH YOU TO FUCK WITH ME and Brad Dourif's cackle.

One might assume a general diminishment of the Brad Dourif factor as soon as he's no longer physically "on screen," but his deranged, spirited voice acting imbues Chucky with genuine presence– you feel the bloodthirsty, claustrophobic frustrations of Dourif's Charles Lee Ray, trapped inside the body of a doll: and Dourif's voice-acting bridges the gap and suspends our disbelief. Also, his evil cackle is magnificent.

#5. A nuanced Chris Sarandon performance.

Well, maybe he's not at his best here, but let's face it: the man is never bad.


Chucky attempts a razor-edged Chris Saradon low-blow.

#6. Chucky battles.


Whenever anyone must fight Chucky, there is a certain lightheartedness that can't help but emerge from the horror: I mean, he's a doll. As such, he gets flung about the room on occasion, battered, punched...he bites people with his little doll teeth. I guess this is just the sort of stuff that I enjoy.

#7. The kiddie gets a one-liner!

Just as in NIGHTMARE ON ELM STREET 5: THE DREAM CHILD, a kid gets to deliver a crucial one-liner. (In that fine film, it was "School's out, Krueger!") Here, Chucky has been penned inside a fireplace. He turns up the charm, effectuates his best "sad eyes" and says:

Whereupon the kid ruthlessly prepares to fling a match and bellows with élan:


#8. Chucky comes back more times than the Terminator. And exactly like the Terminator.

Seriously, there even comes the point where he's dragging himself on the floor by one arm, his robotic skeleton revealed beneath the charred doll-flesh.

#9. Select scene Chucky commentary. Now, this is one that I only recently discovered with the DVD. Chucky, in character, delivers audio commentary on several crucial scenes. I couldn't tell if it was Brad Dourif or a very skilled impersonator, but regardless Chucky begins exactly as you'd expect: "Killin' this bitch," "Here, I'm toying with her," "at least in 1988 they still made real fuckin' hammers for kids," insane cackling, etc., etc. Then, as the obvious gimmick begins to wear thin, he begins to get slightly existential– he speaks about the difficulties of adjusting to the doll body, how it feels to kill as a human and then as a doll, etc. Ultimately, the fourth wall is broken, and Chucky's conversing in character with one of the producers. A truly great and bizarre addition to the film. I can't help but wish that this practice would become more frequent, at least amongst cult– imagine Robert Englund doing in-character Freddy commentary, or Rutger Hauer as "The Hitcher" for THE HITCHER, or, shit, how 'bout Clu Gulager in character on THE KILLERS! The possibilities are endless.

Four stars.

– Sean Gill