Showing posts with label Cynthia Stevenson. Show all posts
Showing posts with label Cynthia Stevenson. Show all posts

Wednesday, November 24, 2010

Film Review: HOME FOR THE HOLIDAYS (1995, Jodie Foster)

Stars: 5 of 5.
Running Time: 103 minutes.
Notable Cast or Crew: Holly Hunter (CRASH, THE PIANO), Robert Downey, Jr. (WEIRD SCIENCE, NATURAL BORN KILLERS); Ann Bancroft (NIGHTFALL, THE GRADUATE), Charles Durning (SHARKEY'S MACHINE, DOG DAY AFTERNOON), Dylan McDermott (THE PRACTICE, HARDWARE), Geraldine Chaplin (DOCTOR ZHIVAGO, HABLA CON ELLA), Steven Guttenberg (CAN'T STOP THE MUSIC, DINER), Cynthia Stevenson (DEAD LIKE ME, HAPPINESS), Claire Danes (MY SO-CALLED LIFE, THE RAINMAKER), Austin Pendleton (CATCH-22, SHORT CIRCUIT), David Strathairn (THE RIVER WILD, L.A. CONFIDENTIAL). Music by Mark Isham (POINT BREAK, REVERSAL OF FORTUNE). Cinematography by Lajois Koltai (MOBSTERS, WRESTLING ERNEST HEMINGWAY).
Tag-line: "We'll do it every year..until we get it right."
Best one-liner: "I'm giving thanks that we don't have to go through this for another year. Except we do, because those bastards went and put Christmas right in the middle, just to punish us."

Upon HOME FOR THE HOLIDAYS’ release, Mick LaSalle of the San Francisco Chronicle wrote: "Neither caustic nor sentimental, it's a film that maybe half the people walking the earth have at one time considered writing..." And that's exactly it- everyone's had (or will have) these kind of family experiences that tiptoe between enraging awkwardness (in the here and now) and lovable idiosyncrasy (in retrospect). Oddly, those who so perfectly spun this tale are writer W.D. Richter (writer- BIG TROUBLE IN LITTLE CHINA, INVASION OF THE BODY SNATCHERS '79, director- THE ADVENTURES OF BUCKAROO BANZAI), and director Jodie Foster (her second feature). Like the best real-life eccentrics, the more time you spend with this film, the more it'll grow on you. It wasn't until my third or so viewing that it earned it's fifth star.

Holly Hunter is our beleaguered point of entry– fired from her job, and with a zinger laid on her by her daughter (Claire Danes) at the boarding gate, she must descend into the humiliation, ludicrousness, exuberance, and nostalgia of the Trip Back Home. The existential terrors of the airport, the catching up, the avoiding of random people from one's past- it's all captured in a brilliant observational style that never strays too far into mawkishness (nor, on the other end, silliness).


Durning and Bancroft enthusiastically bear witness to Holly Hunter's de-planing.


Her father:

is an organ-playin’, food-luvin' ("Redi-Whip! Smell it and weep!"), grumbling ("My goddamn pants are stuck in my socks!") Charles Durning.

Charles Durning and Ann Bancroft bust some moves.

Her mother is the amazingly crusty, chain-smoking, jigsaw puzzle-framing Ann Bancroft. Robert Downey, Jr. is her ebullient, gay, Polaroid-snapping brother. He's clearly riding the horse named "Big H," but that might be (!) why it’s his best performance. He's the kind of guy who will zoom by in his car (while blasting the Trashmen's "Surfin' Bird") as you're having an awkward encounter with some BMW-drivin' d-bags you knew 20 years before.


Downey's dickery in this film is legendary.


The Polaroid paparazzo.


A Downey-Guttenberg brawl is mediated by Durning and a garden hose.

Her sister is Cynthia Stevenson, playing that same sadly bitchy role she does so well. A really pissy Steve Guttenberg is her brother-in-law, a delightfully spaced-out Geraldine Chaplin is her aunt, and David Strathairn plays the saddest sack in the universe. There's love, melancholy, and endless possibility… and there's so much going on (almost think MAD magazine meets James Joyce) that repeated viewings are extremely rewarding.

Five stars, and happy Thanksgiving!

-Sean Gill

Thursday, July 9, 2009

Film Review: DEAD LIKE ME- LIFE AFTER DEATH (2009, Stephen Herek)

Stars: 1.5 of 5.
Running Time: 87 minutes.
Notable Cast or Crew: Director Stephen Herek (CRITTERS, BILL AND TED'S EXCELLENT ADVENTURE, MR. HOLLAND'S OPUS), Ellen Muth, Callum Blue, Henry Ian Cusick (Desmond on LOST), Christine Willes, Cynthia Stevenson, Jasmine Guy, Crystal Dahl.
Tag-lines: None.
Best one-liner: None.

In the DEAD LIKE ME pilot, there's a pivotal scene where Rube explains to George the realization that washes over you as you see your own corpse: "It’s like looking at a bowl of homemade peach cobbler you just dropped on the floor. As good as it might have been, you just don’t want it anymore." I was once extremely excited by the prospect of a DEAD LIKE ME movie, but now Rube's statement applies perfectly: no need to desecrate it any further; please take this mess away and give it a proper burial.


They even waste Henry Ian Cusick.

The original series worked so well because of the characters. When we first met each of our protagonists, they were presented as something of a caricature (Roxy the badass, Mason the druggie, Daisy the ingenue, Dolores the lackey), but as the series continued, the excellent writing and acting gave each of these comedic archetypes extraordinary depth. Dolores was transformed from office sycophant to a sweet, motherly force; Daisy went from icy bitch to a somber woman whose motivations you completely understood. Each and every character (even Kiffany!) metamorphosed into something wonderfully complex, and in the process became truly beloved; the sort of achievement that serialized storytelling always aims for, but rarely attains.

LIFE AFTER DEATH (in addition to replacing 'Daisy' with a grotesque impersonator) takes everything back to square one. Everyone's a cardboard cut-out of their former selves; not possessing even a shred of depth or dignity.

What doesn't belong here?


Meet the new 'Daisy'....


...and the new 'UnGeorge.'


Whuttttt?!

Rube (Mandy Patinkin), the show's true anchor, is MIA (maybe he read the script?), as is the poignant Stewart Copeland score. There's no Waffle Haus, or ANY original locations, which had almost become characters themselves. The relationship between George and Reggie (does she know that her sister is undead?), which was beautifully tip-toed around for 2 seasons, finds “resolution” with some of the most hamfisted bullshit I have even seen.  Everybody involved deserved a lot better.