
A Fangoria interview with director Rachel Klein and John Patrick Bray on their new show, HOUND, which will feature sound design by yours truly. I and GO-GO KILLERS! are given mentions as well. Original article can be found HERE.

Final performance tonight, Saturday May 30th, at 8:00 pm!
May 29th and 30th! (Tonight and Tomorrow!) Details below.
Originally posted HERE.Geek Theater is truly becoming a genre in its own right. From larger budget productions like Evil Dead: The Musical and The Toxic Avenger to off-off Broadway plays like the previously reviewed The Wendigo and Universal Robots, geek theater is all the rage!
Go-Go Killers, the latest entry into the mix, is everything a fan of B-movies, Quentin Tarantino, or hot, badass chicks in skimpy outfits could want!
The story is set in 2019 in a world where global warming has ravaged the planet, the gulf between rich and poor has eliminated the middle class altogether, and law and order as we know it is out the window. The world is divided up into territories by go-go dancing gang debs who are kidnapping and killing the world’s wealthiest citizens. The heroines of the story are a girl gang called The Furies (all the girls and gangs have taken on names from Greek mythology), and we follow them as they kidnap a rich uncle and nephew and take them to the Queen of the girl gangs, flirting and fighting their way across the deserts of New New Jersey.
The story however, while intriguing, isn’t what makes this play special. What makes it special is Rachel Klein’s deft direction and hilarious and inspired choreography, which is guaranteed to make you want to invest in lots of glitter and a pair of hot pants. This is a play, not a musical, and yet the go-go dance breaks (not to mention go-go fight sequences!) are even more instrumental in telling the story than the dialogue. It’s difficult to adapt a genre that’s so firmly cinematic, but Klein effortlessly evokes 1950s cautionary tales of juvenile delinquency and 1960s B-movies in a way that makes sense on stage.
Playwright Sean Gill’s dialogue is perfect and funny, betraying a strong love of the kind of films that inspired the script. He’s created some wonderful characters, and set up a world in which it would be fun to spend some time. We always care about The Furies (as well as the other gang debs who make an appearance), and they are why this play is worth a viewing.
Enough can’t be said about this talented cast of go-go girls (and boys!). Special kudos must go to Kari Warchock as Marietta, the Furies’ newest member; Elizabeth Stewart as Electra, the Furies’ fearless leader; and Reagan Wilson as Pandora, the Furies’ second-in-command. Warchock’s strength lies in her impeccable comic timing, and her Marietta is completely endearing. Stewart’s Electra is the badass leader we all wish we could be. She moves beautifully and is a strong actress, owning the stage whenever she’s on it and giving us a nuanced portrayal of a character that could have easily been a caricature. Wilson is the complete package, delivering funny, saucy, and menacing in equal measure, and allowing us to remember why characters like Cleopatra Jones are so awesome. The cast is also a diverse bunch - in age, race, and body type - and it’s nice to see the performers in this mixed group all get to be sexy, smart, and funny, using and subverting stereotypes simultaneously to wonderful effect.
Go-Go Killers is in its final performances this weekend. If you’re looking for powerful, well-dressed ladies, wry social commentary, and kitschy, B-movie inspired fun, get yourself to the Sage Theater in NYC on Friday or Saturday night!
-Teresa Jusino
**Go-Go Killers plays Friday and Saturday night at 8PM at The Sage Theater (711 Seventh Avenue, NYC). Tickets are and are available online at www.smarttix.com**
©2009, Pinkraygun.com
May 22nd, 23rd, 29th, and 30th! Details below.
– Patricia Contino
©2009. Flavorpill.
Original posting can be found HERE.It was a time when women were women and the men were girly. Actually, that time is ten years in the future, as envisioned through the prism of 1960’s exploitation film. Inspired by the work of soft-core auteur Russ Meyer, as well as more PG-rated girl gang fare, Go-Go Killers (trailer here) is an extravaganza of dancing, fighting, and male emasculation, now running at the Sage Theater, appropriately located in Times Square, the historic home of grindhouse cinema.

Turn to Page 16 of New York's most widely circulated free newspaper, and you'll see an article on some familiar faces and a play they call "the best of the B-movie genre." The online version is not yet up; if it does not appear soon, I will transcribe the article for those of you without access to free NYC newspapers.

GO-GO KILLERS! in Tom Murrin's Stage Notes
It’s 2009, and the country is in the initial stages (perhaps) of a potentially devastating financial crisis, there are clearly widening gaps between the haves and the have-nots, and severe global warming is on the horizon. If you were an imaginative, experienced playwright/filmmaker like Sean Gill, you might wonder what it’s going to be like 10 years from now. Well, he has, and the expert director/choreographer Rachel Klein is going to help him fulfill his apocalyptic vision; with a cast of 22, most of them strong, fierce women who dance, fight and take no prisoners. I spoke with Gill.
So, Sean, things are bad now; how bad are they going to get?
The play takes place in 2019, and by then the shit has totally hit the fan. Global warming has gone unchecked, the sea levels have risen. The rich and the super-rich have all the power and the money, and they choose only to irrigate themselves. The only organized opposition that is left are the Girl Gangs.
Ah!
And they roam the countryside, making calculated strikes against the super-rich. They're attempting to kidnap or kill everyone on the list of the country’s wealthiest citizens. The girls have chosen mythological names to convey the mythological degree of justice they wish to unleash, like The Fates, the Sirens, the Gorgons, and our heroes in the story, The Furies.
OK, so what’s going to happen?
The major conflict is when The Furies are kidnapping and killing at a high society soiree, and there’s some tension between the gangs as to who gets to do what. Every gang wants the glory to themselves. There’s competition between the predators over their prey. So there are catfights. That’s the point of departure.
That all sounds great. Is it funny?
In a sense, it’s prophetic; but yes, it’s funny and it’s meant to be so. But it’s not a parody of those movies of the ‘50s and ‘60s, nor a spoof of them. Nor is it entirely a homage to those films that I love, like Faster, Faster, Pussycat, Kill, Kill! by Russ Meyer, or Switchblade Sisters, by Jack Hill. But I love the trappings of those B- movies, and I’m using those trappings, combined with the tradition of Great American Drama, capital D, to create something which is hopefully at times funny, interesting, dramatic and ultimately, worthwhile.
Also, I wanted to say that it’s the easy route to hit someone over the head with harsh words and torment, and try to make it an experiment in cruelty, but that’s not so easy to digest over 90 minutes. It bounces off and doesn’t sink in. I’ve looked at the movies of Jack Hill and George Romero, and their idea is to butter you up with babes or zombies, but then they come at you with the zingers, like social commentary, consumerism. That’s kind of what Go-Go Killers is. It sort of whispers sweet-nothings into your ears, with hot pants and ass-shaking and lots of glitter, and it lulls you into a complacency, before it starts to tackle what I call “the fun stuff," like gender dynamics, violence, class difference, and how they relate.

The Sage Theater, 711 Seventh Ave., 2nd floor. Tickets available online only at www.smartix.com. May 8- 30, Fri. & Sat., 8 p.m. $15.
May 8–30 at The Sage Theater, catch GO-GO KILLERS—a campy, stylized, choreographic, retro-futuristic performance that depicts the New York metropolitan area ten years hence, imagining the potentially horrific outcomes of both the current economic crisis and the global warming debacle. By “2019,” the gulf between rich and poor has been so widened that anything approximating the middle class ceases to exist. Hordes of stylishly violent women, comprised of go-go dancing gang debs, roam America’s underbelly with the intent to kidnap or kill each member of a list of the nation’s wealthiest citizens. Pulp entertainment takes the stage by a dancing storm!




