Showing posts with label Samuel L. Jackson. Show all posts
Showing posts with label Samuel L. Jackson. Show all posts

Wednesday, March 29, 2017

Only now does it occur to me... SEA OF LOVE (1989)

Only now does it occur to me... that not only does SEA OF LOVE offer the trappings of a kinda-mediocre-but-fun sex thriller in the FATAL ATTRACTION/BASIC INSTINCT/SLIVER/BODY OF EVIDENCE vein, not only does it feature Al Pacino and John Goodman as hot-doggin' detectives,
who prefer to work outside the system––much to chagrin of their straight-laced boss, John Spencer (of course),
not only does it feature an extremely young and quippy Samuel L. Jackson,
Credited in the role of––no joke, unfortunately––"Black Guy"

not only does it contain an absurd GODFATHER reference alluding to the restaurant cop-killing of Sterling Hayden,
 
Pacino: "What is she gonna do, confess? Shoot me? We're in a restaurant!!"

not only do Pacino and Ellen Barkin offer the most hilarious, post-9 1/2 WEEKS, food-related seduction scene this side of TROLL 2:
 
He was lookin' for Chips Ahoy 

 
She was lookin' for fresh produce, but then she found...

No, not love––she found...

Yellow bell peppers

Oh yes she did

No, we shouldn't, look at all this fresh romaine

Just waiting to go on a salad, perhaps a Caesar

not only does SEA OF LOVE offer all of these sublime and occasionally laughable joys, but it also, and perhaps most importantly, it depicts the best shower curtain of all time––
this beautifully whimsical portrait of rumba musicians who happen to be alligators. Said shower curtain belongs to hardboiled cop Pacino,
whose street cred has never been more crystal clear.

Wednesday, March 11, 2015

Film Review: XXX (2002, Rob Cohen)

Stars: XXX of 5.
Running Time: 124 minutes.
Tag-line: "A New Breed of Secret Agent."
Notable Cast or Crew: Starring Vin Diesel (SAVING PRIVATE RYAN, PITCH BLACK), Asia Argento (LAND OF THE DEAD, TRAUMA), Marton Csokas (THE FELLOWSHIP OF THE RING, XENA: WARRIOR PRINCESS), Samuel L. Jackson (PULP FICTION, UNBREAKABLE), Danny Trejo (DESPERADO, MACHETE), Thomas Ian Griffith (VAMPIRES, BEHIND ENEMY LINES), Eve (BARBERSHOP, THE WOODSMAN), and Tony Hawk.  Music by Randy Edelman (KINDERGARTEN COP, GHOSTBUSTERS II).  A soundtrack featuring Rammstein, Drowning Pool, Hatebreed, Joi, Flaw, Orbital, Mushroomhead, N.E.R.D., and other 90s bands you may have forgotten.
Best One-liner:  "Welcome to the Xander Zone."

The bastard child of James Bond and the X-treme sports fad, I had long avoided XXX, largely because it was not made during the 1980s, the golden period of cheesy action.  How foolish I was!  For a movie named after Vin Diesel's (fictional) tattoo and featuring a gang of villains named Anarchy 99, it is surprisingly palatable.

 I have no idea if I would have liked this as much if I'd seen it when it came out in 2002, but XXX has aged like a fine wine.  Or at least like a wine in comic strip that's served in a bottle marked "XXX."

From the director of THE MUMMY: TOMB OF THE DRAGON EMPEROR, DRAGONHEART, and DRAGON: THE BRUCE LEE STORY (Rob Cohen, the man who directs movies with the word 'Dragon' in the title more often than any comparable director), XXX is a spectacular undercover glimpse into the exclusive world of Eurotrash rave culture and high-level secret government operations.  Here are eight things I liked about it:

#1.  Asia Argento.

Cult, horror, and Italo-trash legend, she's essentially why I decided to watch this in the first place.  And yet this was her first foray into a major Hollywood film.  Why 2002?  Why XXX?  I figured it out: it's not that Asia had to wait around for Hollywood to find a trashy role; Hollywood had to wait until Asia decided they'd come up with a movie trashy enough to meet her rigorous trash standards.
Here she is, pretending to dance, on all the drugs.

Throughout, she maintains a consistency of performance, even (especially?) when her scene partner is the impressively wooden and hilariously flat Vin Diesel.

Don't scowl, Asia––he's still better than most of the cast of DRACULA 3D.

She's technically the "Bond girl," but in a movie this trashy, I say she's the star.


#2.  I mean, the opening scene is a Rammstein concert in a Euro-cathedral, where a man is assassinated and then crowd-surfed amid gouts of flame and other pyrotechnics.


They shot James Bond?

Later, there are more raves and tesla coils and techno music.

This picture could not exist without the subtitle "Techno Music Playing."

And cranberry club sodas.
Er, what––

#3.  Let's take a moment to talk about Vin Diesel and that wondrous jacket, shall we?

Yes, that furry-collared jacket (complete with a stylishly gaudy medallion) appears in roughly an entire third of the film, which leads me to believe they thought it was quite the trendy fashion statement.  It's nearly as great as Kramer's in that one SEINFELD episode where he's mistaken for a pimp.

Highest marks.  But who is Vin Diesel's Xander "xXx" Cage?"  Who is he really?  What makes him tick, besides cranberry sodas and furry collars and stilted line readings?


#4.  xXx is a crusading everyman.  He talks straight into little video cameras (addressing the nation?) and makes confessional rants about "The Man" and video games and explicit song lyrics.   He is an iconoclast, a man of letters, a philosopher.


But when it comes to solving problems, where Plato used the Socratic method, xXx uses... X-treme sports.  In fact, you could say that is the main thrust of the film is the use of X-treme sports to solve matters of international diplomacy and intrigue.

Whether it's X-treme Dirtbiking:

Thank God there happened to be an offroad crotchrocket lying around.

X-treme Rockclimbing:

"Get a grip!"

X-treme Para-snowboarding:


X-treme Regular Snowboarding:

"Nothing like fresh powder!" –an actual line in this sequence

X-treme Para-sailing:


And, my personal favorite, X-Treme Silver Platter:

which leads to X-Treme Silver Platter-Skateboarding:

Pictured: a typical European street scene.

And yet all of these personality traits make the following even more satisfying (albeit briefly):


#4.  Danny Trejo, with a machete, torturing Vin Diesel.


This is the sort of thing that's worth the price of admission, even if it only lasts for two minutes.  And look at Danny Trejo, boldly transitioning from "Prisoner" to "Guy with Machete."  But, oh, he does it well.


#5.  Potato Explosion!  This is the best potato-related car chase sequence explosion since the one in PET SEMATARY TWO.



"Now that's what I call a 'tater crater.'"  –not my proudest moment


#6.  Facial-scarred Sam Jackson phoning in––nay, mailing in––a performance as the 'M' of this universe, comparing Mr. Diesel to a snake


Technically, in this context, said 'snake' would be on a plane––and four years before they made the movie!

and delivering a hearty (and self-referential?) slow clap when Vin Diesel does what he didn't in PULP FICTION––kick the asses of some stick-up artists in a retro diner:

Not quite as good as the slow clap in ROCKY IV.


#7.  And continuing with the James Bond analogy, there's also a 'Q' scene, with all the requisite gadgets.  Though, when Vin Diesel tries out the X-ray binoculars,

it bears mentioning that he briefly becomes XXX: THE MAN WITH THE X-RAY EYES.


#8.  The Xander Zone.

I think this is a good note to end on.  Amen.

–Sean Gill


Thursday, June 14, 2012

Only now does it occur to me... AGAINST THE WALL


Only now does it occur to me...  that Harry Dean Stanton must occasionally request for "singing" to be included in his contracts.  
As he broke into song, I recalled Harry Dean's hearty rendition of "Hand Me Down My Walking Cane" in STRAIGHT TIME, Harry Dean's eerie hymnals in BIG LOVE, and I'm pretty sure he sorta sings along with the radio in WILD AT HEART.  That's just off the top of my head, I'm sure there's more, but in general, I must say that I'm happy we get to see Harry Dean belt one out in every other movie.  Anyway, that minor observation was just a portal into the movie at hand: John Frankenheimer's made-for-HBO historical movie on the Attica Prison riots, AGAINST THE WALL.

And of course it wouldn't be a prison movie without Danny Trejo.  That's a major prerequisite.
See also:  RUNAWAY TRAIN, THE HIDDEN, KINJITE: FORBIDDEN SUBJECTS, LOCK UP, MANIAC COP 2, WEDLOCK, CON AIR, ANIMAL FACTORY, etc., etc.

There's a frightening turn by Clarence Williams III as one of the instigators of the riot.  He also played a terrifying villain in 52 PICK-UP, Frankenheimer's Cannon Films classic.
And, hey– remember Clarence was in TWIN PEAKS for a couple of episodes as an FBI Agent?  There's a whole TWIN PEAKS connection there with Harry Dean Stanton, who memorably played in FIRE WALK WITH ME.

Speaking of TWIN PEAKS– here, Harry Dean plays the father of...

Kyle McLachlan!  "Damn fine coffee!  And hot!"

So wait, if we're to believe that Agent Cooper took a demotion to "prison guard," does this take place before or after the [NEBULOUSLY PHRASED TWIN PEAKS SPOILER ALERT] 
"transformation" at the end of Season 2?

...


Aaaah!!  BOB!  "Through the dark of futures past, the magician longs to see.  One chants out between two worlds, fire walk with me.  I'll catch you with my death bag.  You may think I've gone insane, but I promise I will kill again!"  Indeed!


P.S.  Apologies for foisting my ludicrous pop culture crossovers onto what is a pretty serious and socially relevant flick.  Occasionally it wanders into moments worthy of an After School Special, but on the whole, it's intense, well-acted, and held together by the crisp, workmanlike direction of John Frankenheimer.