The film in question is PERVERSION STORY (a.k.a., ONE ON TOP OF THE OTHER), a clumsy, proto-giallo, trashtastic reimagining of Hitchcock's classic. It's even set in San Francisco (though, it must be said that when Fulci films in America, i.e., THE NEW YORK RIPPER, MANHATTAN BABY, he can make even the most iconic American locales feel extraordinarily Italian in flavor). The scene in question is meant to be the equivalent of "Jimmy Stewart spotting Kim Novak again as 'Judy the Shopgirl,' post-fall." It's set at a strip club on Montgomery Street, and depicts the poor man's Bardot (Marisa Mell, of DANGER: DIABOLIK) in a snow leopard-print tracksuit lounging on a motorcycle:
then stripping down to reveal a preponderance of stickers advertising European car races (such as Le Mans):
and ultimately providing the punchline (?) of a bizarro, googly-eyed codpiece:
all while the poor man's Alain Delon (Jean Sorel, of BELLE DU JOUR) looks on, completely horrified and entranced.
It's a particular avant-garde highlight in a film which includes such beautifully wacky Italo-dialogue as "You just dropped in for a few BUMPS and GRINDS? Or maybe a few... KICKS?!" and "Bye, girls, I'm gonna go see a Mickey Mouse flick!" God bless you, Lucio Fulci.
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