Only now does it occur to me... that I've found my new favorite alliterative way to refer to this movie, and that is a "Bonnie Bedelia/Beau Bridges boundary-breaker biopic."
The story of Shirley Muldowney (the first woman to become a champion top-fuel dragster), HEART LIKE A WHEEL is a solid studio programmer with a compelling lead performance by Bonnie Bedelia (DIE HARD, THEY SHOOT HORSES DON'T THEY?, THE BOY WHO COULD FLY, SALEM'S LOT). Most importantly, it allows me to make statements such as:
"Bonnie Bedelia and Beau Bridges are bitterly brooding at a bar––bring Beau a Bacardi" and
"Bonnie Bedelia and Beau Bridges' Byzantine bond becomes a burden at this Baton Rogue B&B"
Directed by Jonathan Kaplan (TRUCK TURNER, WHITE LINE FEVER, OVER THE EDGE, TV's ER), HEART LIKE A WHEEL is basically a rogue's gallery of Roger Corman veterans, including cinematography by Tak Fujimoto (DEATH RACE 2000, CAGED HEAT), a bit part by Dick Miller (A BUCKET OF BLOOD, THE TERROR),
Because this is "a movie," that means Dick Miller is in it
supporting roles from Leo Rossi (GRAND THEFT AUTO) and Bill McKinney (CANNONBALL!), as well as a wonderful Paul Bartel (HOLLYWOOD BOULEVARD, ROCK N' ROLL HIGH SCHOOL) cameo as a sexist French chef (playing the character, "Chef Paul").
We've also got baby Anthony Edwards (with hair!) as Bonnie Bedelia's teenage son
and a variety of other interesting players, like THE OFFICE's Creed Bratton and musician Hoyt Axton.
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