Friday, August 19, 2022

Television Review: ZUMA BEACH (1978, Lee H. Katzin)

Stars: 2 of 5.
Running Time: 104 minutes.
Notable Cast or Crew: Suzanne Somers (THREE'S COMPANY, SERIAL MOM), Michael Biehn (ALIENS, TOMBSTONE, THE TERMINATOR), Rosanna Arquette (PULP FICTION, AFTER HOURS, DESPERATELY SEEKING SUSAN), P.J. Soles (HALLOWEEN, ROCK N' ROLL HIGH SCHOOL, CARRIE), Tanya Roberts (THE BEASTMASTER, A VIEW TO A KILL), Steven Keats (DEATH WISH, THE FRIENDS OF EDDIE COYLE), Mark Wheeler (THE CONVERSATION, APOLLO 13), Gary Imhoff (SUMMER SCHOOL, THE GREEN MILE), Delta Burke (DESIGNING WOMEN, WHAT WOMEN WANT), Kimberly Beck (ROLLER BOOGIE, FRIDAY THE 13TH PART IV: THE FINAL CHAPTER).
Tagline: "Her life had suddenly become a long drive to nowhere... so what better place to get it all together than her old stomping grounds, Zuma Beach! Let's get it together with a batch of beach boys and their golden girls... frolic with Suzanne Somers on Zuma Beach!"
Best one-liner: "Have some confidence in yourself." –"I can't. It's 9:30, and the stores stop selling confidence at five o'clock. And tomorrow is a holiday."


"I wrote that for a producer who just said he wanted a beach movie. He ended up selling it to Warner Bros., and soon Suzanne Somers was starring in it. I was going to direct it––for about ten seconds––but one of my mentors, Richard Kobritz, who later produced Christine, helped me see I didn’t want to do it. It was vastly rewritten, so I really shouldn’t have taken credit for it, but I was a little asshole in those days."

–John Carpenter, when asked about ZUMA BEACH by Fangoria in 2013 

 

Almost ten years ago, I did a "Poor Man's Carpy" series on this blog, devoted to John Carpenter marginalia like the co-scripted TV movie SILENT PREDATORS, the Tommy Lee Wallace-helmed VAMPIRES: LOS MUERTOS, trashy Hallo-sequels HALLOWEEN 666 and RESURRECTION, and the Dennis Etchison novelizations of THE FOG and HALLOWEEN III: SEASON OF THE WITCH. One which slipped under the radar was ZUMA BEACH. So here we are, in the dog days of summer, finally taking a look at this forgotten CBS Late Movie "sort of" written by Carpenter and three other guys.

What can we learn about John Carpenter from ZUMA BEACH? Very little, I'm sure, given his above quote, but I think it's worth looking into. (Says the guy who did a two-part deep dive into John Carpenter's filmmaker-buddy-garage band, The Coupe de Villes.)

It's a straightforward slice of life, giggle and jiggle flick designed to eliminate two hours on a lazy, hazy summer evening. Though it ends with a volleyball game, it never even possesses stakes as high as in SIDE OUT

 Suzanne Somers plays a pop star (whose big hit is the fictitious "Silent Whisper"), and she's having a mid-career crisis. 

In need of a reset, she clears her head at Zuma Beach, where she once enjoyed poetry and sand castles as a child. Zuma Beach is populated with a rogue's gallery of horny teens, pre-makeover nerds, beach bums, surfers, football jerks, hot dog enthusiasts, kite fliers, windjammers, cool visor-dudes and the like.



Somers becomes something of a beach elder here, primarily because it's a teenage hotspot. She dispenses wisdom, smiles pensively, and takes in some rays. 

 

Bullies vaguely receive their comeuppance, romances spark and fizzle, and everyone more or less fritters the summer away. This is ZUMA BEACH, ladies and gentlemen. It's so dedicated to its quotidian ensemble that if it were better written and had more interesting characters, it might even feel like an Altman or Linklater flick. As is, it's merely a pleasant time-waster filled with bright 1970s colors and some amusing and unexpected performances. For reference, the real Zuma Beach is in Malibu, about a 70 minute drive from the PRINCE OF DARKNESS church.

If I were trying to draw a real John Carpenter connection, I'd probably compare it to THE FOG, which also sees a strong woman adjacent to the music industry (Adrienne Barbeau as "DJ Stevie Wayne") finding her footing in a California beach community. There are even times that ZUMA BEACH feels like "a Carpenter horror movie, but before the horror begins."


The image of a child playing with his dog in the surf... recalls Stevie Wayne's son finding a plank from the Elizabeth Dane in THE FOG? C'mon, I'm trying here.


Oh, and there is a lot of feathered hair in this movie. Might I remind you that it was shot in 1978.


Mark Wheeler's elaborate feathered coiffure helmet puts Mark Hamill's to shame

With such a bare bones plot, you start focusing on strange details. Like Suzanne Somers' suntan oil, which looks like it's being dispensed from an Elmer's glue bottle.

We have young, Toto-era Rosanna Arquette as a character who tokes a lot of reefer. She's doing that quirky comedic 'Rosanna Arquette thing,' mostly indistinguishable from her performances in AFTER HOURS and DESPERATELY SEEKING SUSAN, which is okay!

You have to admire (pre-Reagan) CBS Standards & Practices allowing such casual drug use to slip by without dramaturgical rebuke. 

Michael Biehn pops up, also in one of his very first roles, as a crazy-eyed, eyebrow-indicating lifeguard who uses his lifeguard tower as a bachelor pad.

Here, he's trying to pressure HALLOWEEN's own P.J. Soles into pre-marital sex. It's a good thing Michael Myers isn't around!

HALLOWEEN was released October 25, 1978; ZUMA BEACH debuted September 27, 1978. HALLOWEEN was filmed in May, and based on the look and general disposability of ZUMA BEACH, I have to imagine it was filmed that summer. It's quite possible that P.J. appears here as part of some John Carpenter favor; but given his disconnect to this movie, it's equally plausible that it's pure coincidence. I at least have to hope that John Carpenter was not responsible for a line of dialogue about "extracurricular sex-tivity."


Soles: "I have six pigtails"

As usual, P.J. Soles is a hilarious delight. And she has six pigtails. Count 'em––six! Why would anybody need six pigtails? Maybe she's choosing to pull focus by-way-of ridiculous hair/costume accoutrement––she does has a history of that. You may recall that in Brian De Palma's CARRIE, she established herself as the Queen of Pulling Focus with her big 'ol red rainbow ballcap. Bless.

There are some terrible, copyright-skirting faux-Beach Boys songs which play throughout, Tanya Roberts and Delta Burke wander through the frame, and Michael Biehn gets sand kicked in his face: a sobering experience for Zuma Beach's resident bully/Casanova.

There's a volleyball game and a riding-men-by-the-shoulders race,

and that's all she wrote. Er, rather, that's all John Carpenter and (at least) three other guys wrote. Do you feel like know all you need to about the ZUMA BEACH experience? I hope so.

3 comments:

J.D. said...

I love that this was given the Warner Archive treatment, which makes me question their criteria for inclusion.

I had no idea that Carpenter was even remotely associated with this! And Michael Biehn who somehow manages to look psychotic in every project he's involved in.

At least Carpenter was honest about why he did it. That's what we love about him - no B.S. I imagine this movie will test the resolve of even the most dedicated of Carpy superfans. Whew!

Sean Gill said...

Indeed, my friend! Now I've almost completed my quest of finding every "tangentially-related-to-John Carpenter" art object. I have my hands on copies of EL DIABLO and BLOOD RIVER but haven't reviewed them yet. The last one which eludes me is BETTER LATE THAN NEVER (1979), a JC-cowritten TV movie about a retirement home, feat. Donald Pleasence and directed by Richard Crenna (?!).

Sean Gill said...

Dave,

Glad you were starting off your summer right. Very nice work!