Continuing with the theme of Sandra Bullock-themed sci-fi–
I have weighed in on the glory that is DEMOLITION MAN before, but I must add this:
Only now does it occur to me... that this particular title card
so beautifully brought together the arthouse, the grindhouse, and the statehouse– and between Stallone's glistening pecs! It's like when you have two separate circles of friends and suddenly, you see them... hanging out without you. It reminds me of this fantastic title card, which fused George A. Romero and Menahem Golan together forever– at least in celluloid form. Anyway, carry on.